New York decider awards Nazi-looted artworks to Holocaust victim’s heirs in pivotal exam case


(Reuters) – A New York decider on Thursday awarded pretension of dual Nazi-looted drawings by remarkable Austrian painter Egon Schiele to a Holocaust victim’s heirs in what art experts noticed as a pivotal exam box of a U.S. law designed to palliate a liberation of such stolen works.

Under a ruling, both works – “Woman in a Black Pinafore” and “Woman Hiding her Face” – are to be incited over to descendants of Franz Friedrich “Fritz” Grunbaum, an Austrian-Jewish hostess and impresario who perished in a Dachau thoroughness stay in 1941.

Grunbaum, a outspoken censor of a Nazis, once owned some 450 artworks, including some-more than 80 by Schiele, an Expressionist dependent of Gustav Klimt and a vital incongruous painter of a early 20th century in his possess right.

Grunbaum’s art collection was seized by a Nazi regime after he was arrested in 1938 and sent to Dachau, according to a outline of a box contained in Thursday’s outline judgment.

The dual Schiele works in doubt incited adult decades later, in a counter operated by a London-based dealer, Richard Nagy, during a 2015 art and pattern uncover in New York City, and a heirs filed fit seeking to redeem a drawings.

Nagy’s lawyers asserted he had acquired legitimate pretension to a dual drawings, stemming from a 1956 sale of some 50 Schiele works by Grunbaum’s sister-in-law to a gallery in Switzerland, and that a heirs’ rights to move their explain had prolonged given expired.

In his 17-page decision, however, Justice Charles Ramos of a state Supreme Court in Manhattan sided opposite Nagy, citing a Holocaust Expropriated Art Recovery (HEAR) Act.

That law, enacted by Congress in 2016, extended a sovereign government of stipulations for seeking compensation of Nazi-confiscated art to 6 years from a time of “actual discovery” of a temperament and whereabouts.

Nagy’s lawyers argued a HEAR Act did not apply, a position a decider called “absurd,” observant a government was “intended to request to cases precisely like this one.”

The decider pronounced there was no brawl a artworks during interest before belonged to Grunbaum and were forcibly taken by a Nazis during World War Two, a fact that put a responsibility on Nagy to settle a higher claim. Ramos pronounced no such justification was presented.

The decider also hold that New York law “protects a legitimate owner’s skill where that skill had been stolen, even if a skill is in a possession of a good faith purchaser.”

Raymond Dowd, counsel for a Grunbaum heirs – named in a box as Timothy Reif, David Frankel and Milos Vavra – hailed a preference as a landmark in bringing probity to Holocaust victims.

The ruling, he said, “brought us a step closer to recuperating all of a enlightenment that was stolen during a largest mass burglary in history, that until now, has been overshadowed by history’s largest mass murder.”

Reporting and essay by Steve Gorman in Los Angeles; Editing by Michael Perry


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